Untitled

pleoros:

John Pfahl - Altered landscapes, 1993

artmastered:

Marcel Duchamp, Nude Descending a Staircase No. 2, 1912, oil on canvas, 147 x 89.2 cm, Philadelphia Museum of Art.
According to the Metropolitan Museum of Art, Duchamp’s Nude Descending a Staircase No. 2 reveals the artist’s interest in Cubism, though unlike Braque and Picasso, Duchamp’s figure is dynamic. You can view Nude Descending a Staircase No. 1 by clicking here.

artmastered:

Marcel Duchamp, Nude Descending a Staircase No. 2, 1912, oil on canvas, 147 x 89.2 cm, Philadelphia Museum of Art.

According to the Metropolitan Museum of Art, Duchamp’s Nude Descending a Staircase No. 2 reveals the artist’s interest in Cubism, though unlike Braque and Picasso, Duchamp’s figure is dynamic. You can view Nude Descending a Staircase No. 1 by clicking here.

pleoros:

William Christenberry - Building with False Brick Siding, Warsaw, Alabama, 1974, 1982, 1994.

pleoros:

William Christenberry - Building with False Brick Siding, Warsaw, Alabama, 1974, 1982, 1994.

nock-nock-nock:

"Jonsok"

87km:

Bursting Wall, 2013
Fabian Bürgy

87km:

Bursting Wall, 2013

Fabian Bürgy

witchoria:

Solitude. 

witchoria:

Solitude. 

museumuesum:

Maurizio Cattelan
A Perfect Day, 1999 

The piece existed solely on the evening of the opening and consisted in the presentation to the public of the gallerist Massimo De Carlo of Milan literally affixed to the wall by adhesive tape, that almost entirely covered him, like a grotesque but not less striking crucifixion.

museumuesum:

Maurizio Cattelan

A Perfect Day, 1999 

The piece existed solely on the evening of the opening and consisted in the presentation to the public of the gallerist Massimo De Carlo of Milan literally affixed to the wall by adhesive tape, that almost entirely covered him, like a grotesque but not less striking crucifixion.