Marcel Duchamp, Nude Descending a Staircase No. 2, 1912, oil on canvas, 147 x 89.2 cm, Philadelphia Museum of Art.
According to the Metropolitan Museum of Art, Duchamp’s Nude Descending a Staircase No. 2 reveals the artist’s interest in Cubism, though unlike Braque and Picasso, Duchamp’s figure is dynamic. You can view Nude Descending a Staircase No. 1 by clicking here.
William Christenberry - Building with False Brick Siding, Warsaw, Alabama, 1974, 1982, 1994.
A Perfect Day, 1999
The piece existed solely on the evening of the opening and consisted in the presentation to the public of the gallerist Massimo De Carlo of Milan literally affixed to the wall by adhesive tape, that almost entirely covered him, like a grotesque but not less striking crucifixion.